Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Frederick Remington 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
4318		A Cavalryman's Breakfast on the Plains
4320		Apache
4307		Arizona Cowboy
4300		Bringing Home the New Cook
41505		Buffalo Bill in the Spotlight	mk162 1899 Oil on canvas 27x40
4308		Coming and Going of the Pony Express
4312		Dismounted
4298		Great Explorers
4319		His First Lesson
4305		If Skulls Could Speak
4302		Indian Trapper
45959		Oil undated Geronimo Fleeing from camp	mk178 on linen
4304		Old Stage Coach of the Plains
4311		Scout
4316		Shotgun Hospitality
4324		The Advance Guard
4299		The Buffalo Runner
4325		The Emigrants
4310		The Fall of the Cowboy
40845		The Fall of the Cowboy	mk156 1895 Oil on canvas 63.5x89cm
4301		The Outlier
4314		The Scout : Friends or Enemies
4323		The Stampede
4321		Turn Him Loose, Bill
4315		Victory Dance
74060		What an Unbranded Cow Has Cost	oil on canvas, by the American artist Frederic Remington. 28 1/16 in. x 35 1/8 in. Yale University Art Gallery, gift of Thomas M. Evans, B.A. 1931. Courtesy of Yale University, New Haven, Conn. Date 1895(1895) cyf
4306		When Heart is Bad

Frederick Remington

1861-1909 Frederic Sackrider Remington (October 4, 1861 - December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th century American West and images of cowboys, American Indians, and the U.S. Cavalry. Remington was the most successful Western illustrator in the ??Golden Age?? of illustration at the end of the 19th Century and the beginning of the 20th Century, so much so that the other Western artists such as Charles Russell and Charles Schreyvogel were known during Remington??s life as members of the ??School of Remington??. His style was naturalistic, sometimes impressionistic, and usually veered away from the ethnographic realism of earlier Western artists such as George Catlin. His focus was firmly on the people and animals of the West, with landscape usually of secondary importance, unlike the members and descendants of the Hudson River School, such as Frederic Edwin Church, Albert Bierstadt, and Thomas Moran, who glorified the vastness of the West and the dominance of nature over man. He took artistic liberties in his depictions of human action, and for the sake of his readers?? and publishers?? interest. Though always confident in his subject matter, Remington was less sure about his colors, and critics often harped on his palette, but his lack of confidence drove him to experiment and produce a great variety of effects, some very true to nature and some imagined. His collaboration with Owen Wister on The Evolution of the Cowpuncher, published by Harper??s Monthly in September 1893, was the first statement of the mythical cowboy in American literature, spawning the entire genre of Western fiction, films, and theater that followed. Remington provided the concept of the project, its factual content, and its illustrations and Wister supplied the stories, sometimes altering Remington??s ideas. (Remington??s prototype cowboys were Mexican rancheros but Wister made the American cowboys descendants of Saxons??in truth, they were both partially right, as the first American cowboys were both the ranchers who tended the cattle and horses of the American Revolutionary army on Long Island and the Mexicans who ranched in the Arizona and California territories).

All the Alma Tadema's Oil Paintings

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